Dr. Bachchan – The University Days ( Basere Se door..)
Dr. Harivansh Rai Bachchan was a professor of English at Allahabad Univeristy. In the third part of his autobiography – Basere se Door, initially he recounted his days in the university’s academic atmosphere, the professor and lecturers he had worked with. Among these the prominent were Professor Deb and Dr. Dastoor, who according to him were equally brilliant yet only one man could be the Head of the department and that post went to Dr, Deb for his seniority in the department.
Dr. Harivansh Rai Bachchan was a professor of English at Allahabad Univeristy. In the third part of his autobiography – Basere se Door, initially he recounted his days in the university’s academic atmosphere, the professor and lecturers he had worked with. Among these the prominent were Professor Deb and Dr. Dastoor, who according to him were equally brilliant yet only one man could be the Head of the department and that post went to Dr, Deb for his seniority in the department.
Dr. Bachchan also raised the oddity of age and knowledge in assignments given to the university professors and questioned its validity! Dr. Dastoor was made associate professor to which he had sarcastically equated to be an Ass. Professor and also suggested that the post should have gone to Dr. Deb as he was also to bear the extra burden of management skills of the department. That Dr. Bachchan respected and enjoyed the atmosphere a great deal is evident from narration of the various limericks that were doing rounds in those days to describe the professors. He had described Professor Deb thus –
Professor Deb was the same in length and breadth
And a man of encyclopedic depth
He was also humble to a fault
And humbler with a somersault
He could talk of hafiz, Honolulu and Halwa in one breath
And again while describing Mr. Bhagwat Dayal he writes that one of his friend had composed the following–
There was a man called Dayal
He was proud of his English style
And prouder of his prose
But proudest of his nose
That made him look like a gargoyle.
There was this Raghupati Sahay Phiraq, whom the world of Urdu literature knows more popularly as Phiraq Gorakhpuri. He had described Phiraq sahib as the most versatile actor, he could turn and mould his face in so many different possible ways that any actor could hardly match his skills. Though Dr. Bachchan did not completely absorb the characteristic nature of Phiraq sahib yet he opined that he if would not mind spending hours together with some person it could easily be Phiraq sahab! Phiraq gorakhpuri friends was a brilliant scholar of English language is a fact that few would have known.
Dr. Bachchan’s this part of the story is a preface to his England days when he went to Cambridge for a doctorate on the works and world of W.B. Yeats.
These were some of the excerpts from my readings that I had promised I would share with fellow bloggers as and when I get time during my reading of his autobiography. These might just be common observations yet the way Dr. Bachchan has put them across in the first 20 odd pages can only be enjoyed from what he had to say of these times. I have just introduced the readers with a pinch of it. I am afraid if English translation In The Afternoon of Time contains these anecdotes in as much detail and depth. Till the translation of the autobiography of Dr. Bachchan becomes available in English folks knowing Hindi alone can get the poet’s versatile account!
I must also add here that I have not finished the first part and I am now reading the two parts – the first and the third in parallel. I really appreciate the way Dr. Bachchan has encompassed his life in these volumes. I am yet to touch upon the fourth part – Dashdwar se Sopaan tak, and I must also add here that I had finished reading the second part Need ka Nirrmaan earlier. The paucity of time and existence of an unplanned day makes it very difficult for me to get to read faster than my present pace! I do intend to initiate the fourth and final volume before his 101st Birthday on 27th November.
And here is a section of poetry from his yet another famous composition…
इस पार – उस पार
इस पार, प्रिये मधु है, तुम हो,
उस पार न जाने क्या होगा !
यह चांद उदित होकर नभ में
कुछ ताप मिटाता जीवन का
लहरा-लहरा यह शाखायें
कुछ शोक भुल देतीं मन का,
कल मुर्झाने वाली कलियां
हंसकर कहती है, मग्न रहो,
बुलबुल तरु की फुनगी पर से
संदेश सुनाती यौवन का,
तुम देकर मदिरा के प्याले
मेरा मन बहला देती हो,
उस पार मुझे बहलाने का
उपचार ना जाने क्या होगा
इस पार, प्रिये मधु है, तुम हो,
उस पार न जाने क्या होगा !
(2)
जग में रस की नदियां बहतीं,
रसना दो बूंदें पाती है,
जीवन की झिलमिल-सी झांकी
नयनॊं के आगे आती है,
स्वर-तालमयी वीणा बजती,
मिलती है बस झंकार मुझे,
मेरे सुमनों की गंध कहीं
यह वायु उड़ा ले जाती है;
ऎसा सुनता, उस पार प्रिये,
ये साधन भी छिन जायेंगें;
तब मानवता की चेतनता का
आधार न जाने क्या होगा
इस पार, प्रिये मधु है, तुम हो,
उस पार न जाने क्या होगा !
संसृति के जीवन में सुभगे
ऎसी भी घड़ियां आयेंगी
जब दिनकर की तमहर किरणें
तम के अंदर छिप जायेंगी,
जब निज प्रियतम का शव, रजनी
तम की चादर से ढक देगी,
तब रवि-शशि-पोषित यह पृथिवी
कितने दिन खैर मनायेगी;
जब इस लम्बे-चौड़े जग का
अस्तित्व न रहने पायेगा
तब हम दोनों क नन्हा-सा
संसार न जाने क्या होगा
इस पार, प्रिये मधु है, तुम हो,
उस पार न जाने क्या होगा !
दृग देख जहां तक पाते है
तम का सागर लहराता है
फिर भी उस पार खड़ा कोई
हम सबको खींच बुलाता है;
मैं आज चला, तुम आओगी
कल, परसों सब संगी-साथी,
दुनिया रोती-धोती रहती,
जिसको जाना है जाता है;
मेरा तो होता मन डग-मग
तट पर के ही हलकोरों से,
जब मैं एकाकी पहुंचुंगा
मंझधार न जाने क्या होगा
इस पार, प्रिये मधु है, तुम हो,
उस पार न जाने क्या होगा !
Professor Deb was the same in length and breadth
And a man of encyclopedic depth
He was also humble to a fault
And humbler with a somersault
He could talk of hafiz, Honolulu and Halwa in one breath
And again while describing Mr. Bhagwat Dayal he writes that one of his friend had composed the following–
There was a man called Dayal
He was proud of his English style
And prouder of his prose
But proudest of his nose
That made him look like a gargoyle.
There was this Raghupati Sahay Phiraq, whom the world of Urdu literature knows more popularly as Phiraq Gorakhpuri. He had described Phiraq sahib as the most versatile actor, he could turn and mould his face in so many different possible ways that any actor could hardly match his skills. Though Dr. Bachchan did not completely absorb the characteristic nature of Phiraq sahib yet he opined that he if would not mind spending hours together with some person it could easily be Phiraq sahab! Phiraq gorakhpuri friends was a brilliant scholar of English language is a fact that few would have known.
Dr. Bachchan’s this part of the story is a preface to his England days when he went to Cambridge for a doctorate on the works and world of W.B. Yeats.
These were some of the excerpts from my readings that I had promised I would share with fellow bloggers as and when I get time during my reading of his autobiography. These might just be common observations yet the way Dr. Bachchan has put them across in the first 20 odd pages can only be enjoyed from what he had to say of these times. I have just introduced the readers with a pinch of it. I am afraid if English translation In The Afternoon of Time contains these anecdotes in as much detail and depth. Till the translation of the autobiography of Dr. Bachchan becomes available in English folks knowing Hindi alone can get the poet’s versatile account!
I must also add here that I have not finished the first part and I am now reading the two parts – the first and the third in parallel. I really appreciate the way Dr. Bachchan has encompassed his life in these volumes. I am yet to touch upon the fourth part – Dashdwar se Sopaan tak, and I must also add here that I had finished reading the second part Need ka Nirrmaan earlier. The paucity of time and existence of an unplanned day makes it very difficult for me to get to read faster than my present pace! I do intend to initiate the fourth and final volume before his 101st Birthday on 27th November.
And here is a section of poetry from his yet another famous composition…
इस पार – उस पार
इस पार, प्रिये मधु है, तुम हो,
उस पार न जाने क्या होगा !
यह चांद उदित होकर नभ में
कुछ ताप मिटाता जीवन का
लहरा-लहरा यह शाखायें
कुछ शोक भुल देतीं मन का,
कल मुर्झाने वाली कलियां
हंसकर कहती है, मग्न रहो,
बुलबुल तरु की फुनगी पर से
संदेश सुनाती यौवन का,
तुम देकर मदिरा के प्याले
मेरा मन बहला देती हो,
उस पार मुझे बहलाने का
उपचार ना जाने क्या होगा
इस पार, प्रिये मधु है, तुम हो,
उस पार न जाने क्या होगा !
(2)
जग में रस की नदियां बहतीं,
रसना दो बूंदें पाती है,
जीवन की झिलमिल-सी झांकी
नयनॊं के आगे आती है,
स्वर-तालमयी वीणा बजती,
मिलती है बस झंकार मुझे,
मेरे सुमनों की गंध कहीं
यह वायु उड़ा ले जाती है;
ऎसा सुनता, उस पार प्रिये,
ये साधन भी छिन जायेंगें;
तब मानवता की चेतनता का
आधार न जाने क्या होगा
इस पार, प्रिये मधु है, तुम हो,
उस पार न जाने क्या होगा !
संसृति के जीवन में सुभगे
ऎसी भी घड़ियां आयेंगी
जब दिनकर की तमहर किरणें
तम के अंदर छिप जायेंगी,
जब निज प्रियतम का शव, रजनी
तम की चादर से ढक देगी,
तब रवि-शशि-पोषित यह पृथिवी
कितने दिन खैर मनायेगी;
जब इस लम्बे-चौड़े जग का
अस्तित्व न रहने पायेगा
तब हम दोनों क नन्हा-सा
संसार न जाने क्या होगा
इस पार, प्रिये मधु है, तुम हो,
उस पार न जाने क्या होगा !
दृग देख जहां तक पाते है
तम का सागर लहराता है
फिर भी उस पार खड़ा कोई
हम सबको खींच बुलाता है;
मैं आज चला, तुम आओगी
कल, परसों सब संगी-साथी,
दुनिया रोती-धोती रहती,
जिसको जाना है जाता है;
मेरा तो होता मन डग-मग
तट पर के ही हलकोरों से,
जब मैं एकाकी पहुंचुंगा
मंझधार न जाने क्या होगा
इस पार, प्रिये मधु है, तुम हो,
उस पार न जाने क्या होगा !
Compiled by Abhaya Sharma